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Discography > Albums > My Generation

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My Generation

For more information check these links:
Liner Notes with additions and corrections by Brian Cady
Wikipedia
Whitefang's Who Site

Disc Track # Song
1 1Out in the Street
1 2I Don't Mind
1 3The Good's Gone
1 4La La La Lies
1 5Much Too Much
1 6My Generation
1 7The Kids Are Alright
1 8Please, Please, Please
1 9It's Not True
1 10I'm a Man
1 11A Legal Matter
1 12The Ox
1 13Circles
1 14I Can't Explain
1 15Bald Headed Woman
1 16Daddy Rolling Stone
2 1Leaving Here
2 2Lubie (Come Back Home)
2 3Shout and Shimmy
2 4Heat Wave
2 5Motoring
2 6Anytime You Want Me
2 7Anyway, Anyhow, Anywhere
2 8Instant Party Mixture
2 9I Don't Mind
2 10The Good's Gone
2 11My Generation
2 12Anytime You Want Me
2 13A Legal Matter
2 14My Generation

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The Who - My Generation

Here are some reviews of this album:


Reviewer: anonymous
Rating:

This isn't the best debut by a British rock band ever (I prefer the debuts of the Stones, the Clash, and the Sex Pistols, personally), nor is it even close to being the Who's finest moment. It does contain a clutch of memorable Townshend originals ("The Kids Are Alright," "A Legal Matter," and two semi-forgotten songs which I love, "The Good's Gone" and "It's Not True," which basically presents a prototype for punk to the world), as well as two banal James Brown covers in which Daltrey's overemoting nearly matches that of Dave Davies on "Beautiful Delilah," from another Shel Talmy-produced debut (truly a hysterical performance). "My Generation" itself can't really be counted; it was made as a single and thus stands apart from the album (and anyway it's hard to separate the song from its historical context, although as a performance, it's the early Who at their very best).
What makes this album are the performances, even of the weak songs (excepting the two covers, which nothing can save; another instance of Daltrey's poor judgment at this stage of their career). The sound is muscular and raw; despite Talmy's ineptitude behind the board, the Who never sounded quite so powerful even when they turned the volume up higher (one listen to "The Ox" and you'll be convinced). The performances are enough to put the album ahead of the Beatles' and Kinks' debuts, but it's not the best album of its era. For a great Who album go for Sell Out or Who By Numbers or Meaty, Beaty, Big And Bouncy; for a great live album, go for Leeds or Isle of Wight. But if you want to hear the young Who (plus Nicky Hopkins) in all their angry awkward glory, this is the album to get. Even minus one of the original songs and in poor sound quality, the album still burns.


Reviewer: anonymous
Rating:

The Who didn't actually sing my generation. I think they SMASHED, DESTROYED, DEVASTATED, & OBLITERATED my generation!


Reviewer: anonymous
Rating:

This is a wonderful album from the beginning of The Who. Some favorites and some deep tracks make the album balanced. One can tell from the C.D. that even then, The Who had an idea of their strengths and weaknesses and how to capitalise on them. The sound may be a bit raw for newcomers, but the well known hits may compensate. Some favorite tracks are : Bucket T., and, of course, The Ox.
The only problem is that this is the American release and The English release has the track I really wanted to hear on it, I'm a Man.


Reviewer: anonymous
Rating:

Right from the opening bars of 'Out in the street', this really does become the definitive Mod experience! I can remember donning my parka and going down to the 400 ballroom (giddy heights!) with this Lp burning a hole through my turntable during the lengthy 'choosing of the clothes' time. The thing with the oooooo is, and maybe this is my age (33), that most of their albums sound like many bands 'Greatest Hits'.....That's the quality of not only the music or lyrics.....but the feel. MY GENERATION.......THE KIDS ARE ALRIGHT...youth statements if ever I heard one! This stuff should be played in schools. At the age of 15, Legal Matter was just a great song....at my present age, it's a reality. That's the difference with the Who...they meant it! ps. Keith Moon's drumming on the 'OX' is the first time I thought of the drums as a solo instrument.


Reviewer: anonymous
Rating:

What can I say that hasn't already been said about My Generation? This is bollocks. However, it is the type of bollocks that makes me jump up and down, again and again and again. While other albums only make me jump again and some again again, this album satisfies my lust. If this CD had a smaller hole, only then could I get more pleasure from it.




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