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Discography > Albums > My Generation

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My Generation

For more information check these links:
Liner Notes with additions and corrections by Brian Cady
Wikipedia
Whitefang's Who Site

Disc Track # Song
1 1Out in the Street
1 2I Don't Mind
1 3The Good's Gone
1 4La La La Lies
1 5Much Too Much
1 6My Generation
1 7The Kids Are Alright
1 8Please, Please, Please
1 9It's Not True
1 10I'm a Man
1 11A Legal Matter
1 12The Ox
1 13Circles
1 14I Can't Explain
1 15Bald Headed Woman
1 16Daddy Rolling Stone
2 1Leaving Here
2 2Lubie (Come Back Home)
2 3Shout and Shimmy
2 4Heat Wave
2 5Motoring
2 6Anytime You Want Me
2 7Anyway, Anyhow, Anywhere
2 8Instant Party Mixture
2 9I Don't Mind
2 10The Good's Gone
2 11My Generation
2 12Anytime You Want Me
2 13A Legal Matter
2 14My Generation

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The Who - My Generation

Here are some reviews of this album:


Reviewer: anonymous
Rating:

For a debut album, this one's very good--although with better planning, it could have been one of the best first albums ever, which in terms of content, it isn't. But in terms of influence, it rates even higher, because it ended up being a huge influence for punk bands both in the U.K. and America years later.
The best thing about the album is the raw energy on several tracks, notably the opener, of course "My Generation," "Kids," and "The Ox." "A Legal Matter," "La La Lies," "Circles," and the "Good's Gone" are also very good.
But why in the world "I Can't Explain," and "Anyway, Anyhow, Anywhere" weren't included I'll never know, especially when you consider albums back then were mostly a collection of a band's singles. Those two songs should have been on the album, with the mediocre James Brown covers taken off. The it would have been truly great.
Even so, The Who's debut showcases the band's raw energy and awesome overall talent that we would see for the next dozen years.


Reviewer: anonymous
Rating:

As a debut release this is a stunner.
The album is raw, unpolished as a porcupine's backside and I wouldn't change a thing!. Music like this today doesn't exist!, everything is polished refined and over-produced to the point of being antiseptic. This is not.
The band have gone into the studio and QUICKLY fired out an album. I love to hear music made this way. There is a raw nervous energy about the whole that is very infectious. My Generation , of course a Who standard is perfect by its very imperfections. The album might be called 'The Who Sings My Generation' but it is ironic because the singing is so bad!. That's what I love about it, full of mistakes.
It reminds me of The Clash's brilliant debut album some 12 years after this one.
Standout tracks? My Generation, The Kids are Alright, A Legal Matter etc.
Listen to this album to remember where The Who came from. Such an explosive debut that would lead to their more mature period some four years on.


Reviewer: anonymous
Rating:

Pretty good.
Kinda early.
Good tracks: "Much To Much," "My Generation," "Please Please Please," "The Kids Are Alright," "The Ox," and "Circles".


Reviewer: anonymous
Rating:

Right from the opening bars of 'Out in the street', this really does become the definitive Mod experience! I can remember donning my parka and going down to the 400 ballroom (giddy heights!) with this Lp burning a hole through my turntable during the lengthy 'choosing of the clothes' time. The thing with the oooooo is, and maybe this is my age (33), that most of their albums sound like many bands 'Greatest Hits'.....That's the quality of not only the music or lyrics.....but the feel. MY GENERATION.......THE KIDS ARE ALRIGHT...youth statements if ever I heard one! This stuff should be played in schools. At the age of 15, Legal Matter was just a great song....at my present age, it's a reality. That's the difference with the Who...they meant it! ps. Keith Moon's drumming on the 'OX' is the first time I thought of the drums as a solo instrument.


Reviewer: anonymous
Rating:

This debut album is sensational and truly announces The Who to the world in a manner that was befitting their ultimate status. While The Who were "late to the scene" with this album (already well behind the Kinks, Stones, and Beatles with their debut's), the wait may well be what distinguishes this album -- and the band -- from their cohorts on the British scene.
The legendary Shel Talmy's (legendary for good and bad reasons) production gives The Who an unusually strong and thick wall of sound that the Yardbirds, and Pretty Things only were able to grasp in moments of brilliance. Keith's drums and Pete's early bar chord guitar riffs are in full force and sound superb (cleaner on the British pressing I might add). The only quibble I have with production is the occasional reticence to really embrace John Entwistle. While he is prominent in songs such as My Generation (obviously) and The OX, his playing is relegated to background for many other fine songs such as "Out in the Streets" and Kids Are Alright.
To the songs themselves: Pete shows himself early as a brilliant and clever songwriter. While his lyricism is yet to blossom fully (wait for Sell Out for that!), his chord construction and courage to create aggressive songs mixed with beautiful melodies is a real harbinger for The Who fans. Every Townshend penned song is worthy of praise in its own way. Of particular note, My Generation's out and out aggression and defiance; The Kids Are Alright's sweet melody (and contrary lyrics) should have been the follow up single to Generation and pushed hard by the label; The Good's Gone opening Rickenbacher riff (foreshadowing the Byrds) and (on the American version) Instant party (aka Circles in European EP release) brilliant song construction are enough for the album to be great. But for sure, the country-esque Legal Matter, Out In the Streets, Much Too Much and so on are all there just for added enjoyment. Each of these are a must for any person trying to learn how to play like Pete!
My only complaints with the album -- making it a 4.5 star and not five star -- are the covers. Roger's over-the-top machismo vocals are a little too much for my taste. Plus, who plays a Who album to hear covers? The American version comes with two James Brown covers. Both fine, but really who cares? The Brit version has an interesting but in the end unconvincing version of Bo Diddley's I'm a Man. Great musical break in the middle, but again, Roger's vocals are just ridiculous. Luckily an early review of the album (by MNE?) panned the first version of this album's song choices (which contained many more covers) as out of date and boring. That sent Pete back to the tape machine where he penned three last minute additions: La la la lies, the brilliant It's Not True, and The Ox (a wild and barely recognizable cover of the Safari's Wipe Out) which is actually not penned so much as performed (with vigor). Nicky Hopkins piano work is brilliant on this.
The forgotten covers are apparently one more James Brown cover (name escapes me) that they performed on BBC, Lubie, and the Vandella's Motoring. All good, but not as good as a Pete song.




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